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Is the drive to overachieve fueling the mental health crisis among students of color?

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Editor’s note: The following article is an op-ed, and the views expressed are the author’s own. Read more opinions on theGrio.  

Content warning: This story includes discussions of suicide.

One morning last summer, I had to wake my son up and tell him that his classmate and friend had died by suicide. It was the third such tragedy in a year at his independent school in Los Angeles.

Unfortunately, this pattern is not unique to my son’s school. Across the country, youth are facing increasingly more difficult mental health challenges and experiencing suicidal ideations. According to the Youth Risk Behavior Survey results published by the Centers for Disease Control and Prevention, in 2021, 22% of high school students seriously considered attempting suicide, with a noticeably sharp increase in suicides and attempted suicides among Black youth.

We know that young people are likely to struggle to establish a sense of identity, belonging and purpose during adolescence, but what’s lesser known is that those struggles may not present how you would expect — especially among students of color at independent schools. The classmates that my son lost last year had similar profiles — all-star students with impressive extracurriculars under their belts, leaving countless friends and community members to mourn them in their wake. Two of the three of them were students of color.

Why do I keep mentioning race? Because, while it is true that suicide rates are spiking among all teens, this issue disproportionately impacts youths of color, whether they attend private or public schools. As a rite of passage, high-achieving students of color are often told by their parents and elders that they have to be twice as good to get half as much as their white peers. This truism is well-intentioned and meant to prepare them for systemic discrimination that they will surely face as they enter prestigious institutions. But passing down this cultural knowledge can intensify the pressure youths of color already feel to do well in school, fit in with their social circles, make their families proud and build an impressive resume of extracurriculars.

Add these race-specific pressures to the fact that young people today are navigating a profoundly different world than we did at their age. Digital and social media have plunged us into a culture of immediacy that’s also contributing directly to this mental health crisis. We are in a space and time when kids are bombarded with images, information, and opinions online. Youths of color are told that they are the vanguards of American culture and that they have to dress in the trendiest, most expensive clothes, learn to code-switch depending on their environment and who they are speaking to, become well-versed in mainstream media and expectations, and radiate an aura of academic and familial excellence. At a time when youths of color already have to work harder than their peers to prepare for college because they are navigating predominantly white institutions and relying on authority figures who don’t understand their experiences, they are also in desperate need of guidance on how to navigate and process what they see, read, and hear about themselves online.

These challenges are not insurmountable, but there are no easy solutions. They require all of us to press pause, take a deep breath, and really examine what power and resources we have to support young people. For example, how can educators and administrators center active listening as they interact with youth? And how can families support youth of color who are spending the majority of their waking hours in institutions that were never intended for them? The answers to these questions will vary by school, geography, and student needs, but all of them are rooted in human-centered approaches to education and youth development.

Last year, my organization, Private School Axis, hosted “Our Kids Are Not Okay: A Crucial Conversation on the Mental Health Needs of BIPOC Students in Independent Schools,” a mental health forum featuring students of color at Axis Partner Schools. One of the most common refrains we heard from the youth who imparted their wisdom upon us is that they want and need to be understood by their peers and the adults who navigate their school communities and that they thrive when they have a solid sense of belonging.

Education

We must prioritize hiring more educators, administrators and clinicians of color because diversity of faculty fosters a sense of belonging for all students. Teachers of color are well-positioned to understand and address the unique challenges faced by students of color, who often exhibit signs of mental health stress differently than “textbook” examples based on a largely white population. If we want students of color to be open about what’s going on in their hearts and minds, we must first make them feel safe enough to share those deeply personal struggles. Unfortunately, too many times, the only help available to them comes in the form of culturally incompetent clinicians, making students feel like they have to perform “being fine” so that they don’t draw suspicion, anger, and, ultimately, punishment.

At home, as parents supporting our children’s mental health, we must foster an environment that normalizes open and honest conversations about emotional well-being — and that starts with speaking to our teens about our own emotions and how we navigate our feelings in healthy ways as adults. Encourage your youth to tune into the emotions they experience daily and invite them to share what they’re experiencing with you regularly. As you actively listen to them, remember that encountering emotions across the spectrum is a normal part of the human experience. Validating the breadth of their emotions without feeling the need to fix them is okay. Instead, ask your teen how you can best support them before intervening.

I also want to be very clear that this generation of high schoolers today is more than capable of proposing and implementing their own solutions when they have the space to work together. This is why I’d like to see more schools creating affinity spaces focused on race and the myriad other ways in which students’ identities impact how systems treat them, including mental health conditions and learning disabilities. These groups serve as integrated safe spaces that may be a lifeline for students who need support.

As we see more youth succumb to suicide, all of us — namely educators, parents and school-based mental health professionals — must move in radically different ways that prioritize young people’s inherent right to mental health support. Not just for the ones remaining, but in honor of those we have already lost.

If you or someone you know is considering self-harm or suicide, please call the National Suicide Prevention Lifeline at 1-800-273-8255 or the Suicide Crisis Line at 1-800-784-2433. Help is available 24 hours a day.


Collette Bowers Zinn is a fourth-generation educator, former school administrator for 15 years, and the Founder & Executive Director of Private School Axis, a Los Angeles-based nonprofit that aims to bridge the gap between people of color and independent schools. Trained as a litigator, Collette ultimately chose to take the talents she developed in the courtroom into the education system. She is equally passionate about helping students reach their full potential and cultivating dynamic leaders among her fellow educators.



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Blue Ivy Carter, North West And Other Nepo Babies With Brands

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Image for article titled Blue Ivy Carter, North West Are Both Doing 'Lion King Projects.' Here Are Other Nepo Babies Building Their Brand

Photo: Mike Coppola/VF19 / Contributor (Getty Images)

Tracee Ellis Ross is the daughter of music icon and actress Diana Ross and Robert Ellis Silberstein, a music manager. Tracee Ellis Ross has had an extensive acting career including Girlfriends (2000-2020) and Black-ish (2014-2022). Evan Ross is the son of Diana Ross and Arne Naess Jr, a businessman. Similar to his older sister, Tracee, Evan is an actor having starred in 90210 (2010-2011), ATL (2006), Star (2017-2019), The United States vs. Billie Holiday (2021), The Hunger Games: Mockingjay- Part 1 & 2 (2014, 2015).

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Bravo’s “The Real Housewives of Atlanta” Unveils Season 16 Cast – Where Is The Buzz

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Bravo’s iconic reality series, “The Real Housewives of Atlanta,” is gearing up for its highly anticipated 16th season, promising a mix of returning favorites and new faces to keep fans glued to their screens.

Making headlines is the return of fan favorites Porsha Williams, Kenya Moore, and Drew Sidora, whose dynamic personalities and captivating storylines have solidified their places in the hearts of viewers. Joining them is a roster of fresh talent set to shake up the ATL social scene.

A longtime friend of the show, Shamea Morton Mwangi, steps into the spotlight alongside newcomers Brittany Eady, Kelli Ferrell, and Angela Oakley, each bringing their flair and drama to the table.

While some may lament the absence of certain cast members, “Housewives” veteran Cynthia Bailey will still be a presence, albeit in a different capacity, serving as a friend of the cast. With her iconic looks and quick wit, Bailey is sure to make her mark on the season.

Production for the upcoming season kicks off this month, with the premiere slated for 2025. Expectations are high as the cast embarks on a journey filled with new friendships, career successes, and undoubtedly, a fair share of drama.

“The Real Housewives of Atlanta” is produced by Truly Original, with a team of seasoned executives at the helm, including Steven Weinstock, Glenda Hersh, Lauren Eskelin, Lorraine Haughton-Lawson, Shanae Humphrey, and Glenda Cox. Notably, Andy Cohen also serves as an executive producer, ensuring that the franchise continues to deliver the drama and entertainment that fans crave.

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DJ Akademiks accused of rape, defamation in lawsuit

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DJ Akademiks, media personality and host of the “Off The Record” podcast, has been accused of rape in a lawsuit filed in New Jersey Superior Court.

In the filing, Fauziya “Ziya” Abashe alleges that she was assaulted by Akademiks, whose real name is Livingston Allen, and two John Does in two separate incidents at Akademiks’ New Jersey home in 2022, according to documents obtained by Rolling Stone

Abashe, a writer who dated Akademiks in 2021 before splitting later that year, claims she was invited to Akademik’s home in July 2022, where she was drugged, assaulted and raped by two men on his pool deck, Rolling Stone reported. The next morning, Abashe claims, Akademiks allegedly “brutally” raped her. 

In the suit, Abashe claims that Akademiks “showed her surveillance footage of the two men raping her, and she included text messages from Akademiks afterward saying that she should ‘get tested’ and he would too,” according to Vulture

Akademiks allegedly admitted to having sex with Abashe during a wire call, Abashe claimed in the lawsuit per Vulture. Abashe said she originally reported her alleged assault to the police before deciding not to press charges, the outlet reported. She chose to file the lawsuit after Akademiks brought up the alleged incident in a video posted to his YouTube channel on December 23, 2023. 

In the video, Akademiks refers to Abashe “getting trained by my two mens on the pool deck,” leading Abashe to sue him for defamation. Abashe claims she tried to resolve the case privately several times without success, according to Abashe’s lawyer, Tyrone Blackburn.

“Litigation is always the last resort,” Blackburn said in a statement to USA Today. “After several unsuccessful attempts to resolve this case privately, Ms Abashe was left with no choice but to file. Mr. Allen’s hubris will be his downfall.”

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While Akademiks’ management did not respond to requests for comment, he did take to social media to share his response to the filing. The DJ defended himself against the claims during a live stream on his Rumble channel on Monday, according to Vibe

“I can’t talk about too much because I’ve paid lawyers to handle sh*t in court,” he said. “These people who are coming at me are hoping that I f**k that up by handling it on social media. The police wants nothing to do with this. They’re saying there is no crime.”

“Let me tell you this about everyone in the industry: if Ak ever goes down, y’all going down with me,” he added. “‘Cause I hold no secrets for nobody.”



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Kia Harper is the Kardashian Kids’ Talented Hair Braider

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No matter how you feel about the Kardashians, it’s hard to deny that they keep their kids’ hair on point. The social media darlings are always ready for their closeups with tight braids and edges that are perfectly laid – thanks to celebrity hair braider Kia Harper.

Harper has created show-stopping styles for most of the kids in the Kardashian-Jenner clan, including Kendall Jenner’s daughter Stormi, Rob Kardashian’s daughter Dream and Kim’s daughter, social media star, North West.

A Chicago native, Harper didn’t plan to make a career out of doing hair. But when you see her beautiful styles on social media, it’s hard to imagine her doing anything else.

Harper said she fell into the business of braiding while pursuing a career as a singer/songwriter. She moved from Chicago to Los Angeles to shoot her shot at stardom. But when she found herself struggling to make ends meet in the early stages of her career, Harper decided to use her hair-braiding skills to earn extra money. It didn’t take long for her to realize that doing hair gave her a whole lot more earning potential and flexibility to pursue her creative passions, so she decided to make it her full-time job.

“In 2017, roughly four months into braiding on the side, I did the numbers and realized if I braided full-time, I could double my income. Not only that, I could manage my own schedule which would allow me to make more music and do more shows,” she said in a 2022 interview with Voyage LA.

What started as a side hustle turned into a booming business. Harper’s braiding Insta account, @kiaharperbraids, has over 105,000 followers.

These days, Harper’s celebrity clients include singer Kehlani and Toni Braxton’s son Diesel. She says she’s been fortunate to use her celebrity network to cross promote her music and her braiding business.

“I’ve had some crazy luck! Once I decided to just go for it, put myself out there, use all the resources in my network and not care about the outcome, things started to fall into place. I began using my music as background music in every post I made on my hair instagram page. Because my hair page has a large platform and because I’ve serviced celebrities, I began cross-marketing my music with my hair platform and those clients’ platforms. My music has been shared by Khloe Kardashian, Tamika Harris, and Winnie Harlow just to name a few,” she told Voyage LA.



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IVE Unleashes Mystical Charm in Spellbinding Music Video for ‘Accendio’ – Where Is The Buzz

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IVE has carved itself into a massive and prominent position in K-pop with its beautiful vocals, fascinating visuals, and contemporary music. Since their debut in 2021, the six-member girl group from STARSHIP Entertainment has been noted for their catchy song style that keeps up with the latest trends.

IVE made a dramatic comeback in 2024 with their second EP, “IVE SWITCH,” which dropped on April 29, 2024. Along with the EP, they released a folk tale-themed music video for the main tune, “HEYA,” which captivated fans worldwide. And today, on May 15, the group released the captivating music video for the second title single, “Accendio.”

“Accendio” is a catchy dance track with forceful raps interspersed between melodic verses. The song explores the intricacies of toxic relationships, with the main lyric “Love me, don’t hurt me…,” reflecting the hazards commonly encountered in such settings. With dreamy synth tones and a distinct bassline, the track generates a mysterious and mystical atmosphere, which is heightened by a mix of drum instrumentals and trap beats, resulting in a tight-knit, fast-paced song.

The music video for “Accendio” leads viewers into a world of mysticism, as IVE members change into powerful magical beings, capturing audiences with dazzling images and compelling dance.

IVE, which consists of Jang Wonyoung, Yujin, Gaeul, Rei, Liz, and Leeseo, has constantly provided catchy music since their debut, including singles like “After LIKE,” “LOVE DIVE,” “Baddie,” and “I AM.” Their latest EP, “IVE SWITCH,” includes six fascinating tracks that highlight each member’s vocal prowess.

Watch IVE’s ‘Accendio’ Music Video Below!

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Tracee Ellis Ross and Yara Shahidi reunite onscreen for Old Navy

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The ABC sitcom “Black-ish” may be over, but fans can experience the chemistry between two of the show’s co-stars one more time, thanks to Old Navy. Recently, the clothing retailer tapped Yara Shahidi and Tracee Ellis Ross to model its new summer collection. 

As the show’s mother-daughter duo reunited onscreen for the first time since wrapping in 2022, both actresses noted how naturally they fell back into their rhythm. 

“I’ve been having a ball,” Ross told People magazine about working with Shahidi. “It’s been a minute. When you’ve worked with someone for a long time, there’s an ease to how you work and a comfort. I should say thank you, Old Navy, for bringing this little duo back together.”

Shahidi added, “I think the best part is noticing how similar our instincts are in certain moments… or when other people notice our twinning mannerisms!”

(Credit: Old Navy/YouTube)

Set in sunny California, the old Hollywood-inspired campaign showcases colorful pieces from Old Navy’s Summer 2024 assortment. Coordinating with their charismatic personalities, Shahidi and Ross are seen in vibrant monochromatic ensembles that align with the actresses’ unique aesthetics. 

“We wanted to draw viewers into a delightfully dramatic visual world inspired by the legendary photography of Slim Aarons,” said designer Zac Posen, chief creative cfficer of Old Navy, in a press release. “With their chic style and infectious spirit, our dynamic leading ladies personify the magic of summer that Old Navy is known for.”

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Just as the “Black-ish” stars inspired Posen’s vision for the campaign, Shahidi explained how Ross inspired her as she navigated the industry. 

“You have given yourself so many ways of figuring out how to be fully present in spaces, large and small,” Shahidi reportedly said to Ross. “But I think that extends to a second thing, which is watching you as an actor, watching you as a producer and as a person. You prioritize making sure people have space to be themselves.” 

Similarly, Shahidi’s TV mom has described the 24-year-old as one of the “smartest, most socially engaged” people and has continuously supported the young actress over the years.

Ross said the importance of their relationship is about more than their onscreen familial tie. “It is about what happens between takes, in the hair and makeup trailer, in our calls and text exchanges, and when we see each other out in life as two brown girls with lots of hair that is either masterfully braided, bunned or just flying free,” Ross told Shahidi in a heartfelt letter at the 2017 Essence Black Women in Hollywood Awards. “As I know you know, representation matters. Your presence on television symbolizes so much for young girls. And your presence offscreen informs so much more. I see you as a young woman of substance who is interested in expanding narratives and learning how to create change.”




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What the Hell is Wrong With Questlove These Days?

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One of the most difficult yet profound expressions of love is to take someone you care about to task for ridiculous behavior. I love Questlove as much as anyone could a man whom they’ve never met, which is why I’ve been pinching the bridge of my nose wondering what exactly in the shit is going on with him as of late.

Ahmir Thompson is one of Hip-Hop’s preeminent cognoscenti – a title he’s earned after more than three decades as the head of the Voltron that is the genre’s greatest band, The Roots. His pen – which he often uses to impart his nonpareil knowledge of damn near all music genres – has commanded respect for years, whether on the OkayPlayer boards of yore, the gem-filled jacket art of The Roots albums or his flamin’ hot takes on social media.

So, when Questo writes or says anything out of pocket, it’s not exactly a Boosie Badazz-esque act of anticipated f***ery – it catches everyone by surprise. Problem is, he’s been surprising us a lot lately.

The first alarm went up in February when he came for Black woman-owned apparel brand Legendary Rootz. Founder Raven Gibson scored a massive win by getting her brand placed in retail giant Target during Black History Month.

Questo, making the Manute Bol-caliber reach that early-30-something Gibson lifted her brand name from the “Legendary Roots Crew” nickname that The Roots went by intermittently when she was still in preschool in the 1990s, asked on Instagram, “What in the McDowell’s is this,” prompting several of his three million followers to drag Gibson.

When told that Gibson didn’t deserve that treatment, he doubled down in the comments of his post, insisting like Jerry Maguire that he’s “Mister Black Women.”

Okay fine…maybe that was a one-off…a lapse in judgment. But a couple months later, Questlove added his opinion to the Drake-Kendrick Lamar beef dialogue with the most insipid, fake-deep take to ever come from an actual Hip-Hop legend:

In suggesting that all rap beef is bad and dangerous, it’s as if Questo forgot that beef has undergirded Hip-Hop since its inception: “I’m better than you…what’s good, fool?” is the foundational axiom of 90-plus percent of bars ever written by anyone. Battle rap events have existed since time immemorial and, to my knowledge, don’t typically end with scores of emcees murdered in the parking lot.

Before hitting “post” on that shit, Questo also clearly didn’t consider that every Hip-Hop fan over 35 remembers when he played a visible role in one of the biggest Hip-Hop beefs of all time: backing Jay-Z’s performance of Nas diss “The Takeover” for Jay’s 2001 “MTV Unplugged” album.

It’s ironic to see him write “Hip-Hop is Truly Dead” in reference to the one event that has breathed more life into the genre than anything else in more than a decade. Drake and Kendrick had mainstream media doing on-air explainers of Hip-Hop songs for the first time ever. “Not Like Us” broke streaming records. Folks in Japan are writing raps to “#BBLDRIZZY” for chrissakes. If this is dead Hip-Hop, I’d love to see what it looks like breathing and upright.

The proverbial camel back-breaking straw driving this piece is Questo’s recent interview on the “One Song” podcast, during which he said 2Pac’s “Hit ‘Em Up” — one of the top five most legendary diss tracks of all time — is “disqualified” because of…the interpolation of the Dennis Edwards classic “Don’t Look Any Further,” which he called “dinner music.”

Interesting to hear the cat who co-created one of the greatest industry disses of all time over a beat that would be at home on BET’s “Video Soul” suggest that a diss track needs a mid-1990s Onyx beat to “qualify.”

The barrage of negative responses prompted Questlove to double down on some trite “this is a distraction we have bigger things to worry about” shit while also doubling down on how rap beef is apparently the leading cause of death for Black men aged 18-27 or something.

Disliking “Hit ‘Em Up” is no big deal in a bubble. But since his negative opinion on a beloved rap classic is just the latest in a couple months of mind-boggling takes, maybe that take is a darling he should’ve killed – or just left in the group chat.

 

I’m not sure what triggered Questlove’s angry-man-yells-at-cloud era. I know intimately that defiance grows with age, and he’s a decade older than I am. But as someone who is excited to check out his upcoming book, “Hip-Hop is History,” I’m now concerned that it’ll be loaded with takes that’ll prompt me to use it to stabilize a wobbly table.

I hope that he takes a break from the bad takes and stops chipping away at his well-deserved positive legacy. I also hope that he takes a break from attacking folks he believes are trying to jack his trademarks — because The Root is one letter away from his band name and we don’t want that smoke.

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Watch Ariana Grande and Cynthia Erivo in ‘Wicked’ Official Trailer – Where Is The Buzz

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The enchanting realm of Oz is about to fascinate fans once more, as the official trailer for the long-awaited film adaptation of ‘Wicked’ is finally available. After twenty years of mesmerizing audiences worldwide, the beloved musical is making its big screen premiere, promising to be a brilliant and unforgettable event this holiday season.

‘Wicked’ stars the brilliant Cynthia Erivo as Elphaba and the chart-topping prodigy Ariana Grande as Glinda, and dives into the secret narrative of Oz’s witches. Erivo’s portrayal of Elphaba, a young woman with an unusual destiny, and Grande’s rendition of Glinda, a figure caught between ambition and friendship, are sure to captivate viewers with their powerful performances.

The film is directed by creative Jon M. Chu, known for his work on ‘Crazy Rich Asians’ and ‘In the Heights,’ which promises to be a visual feast, bringing spectators to the mystical Land of Oz. With a great supporting ensemble that includes Michelle Yeoh, Jeff Goldblum, Jonathan Bailey, and Peter Dinklage, ‘Wicked’ offers a cinematic experience unlike any other.

The trailer provides a glimpse into the fascinating world of Shiz University, where Elphaba and Glinda first meet and forge an unusual friendship. The attraction of power and the intrigues of the Wizard of Oz put their friendship to the test, taking audiences on a journey of self-discovery, friendship, and destiny.

In addition to Erivo and Grande, the film has a varied ensemble cast, including standout performances from Marissa Bode, Bowen Yang, Bronwyn James, and Keala Settle. With music and lyrics by the great Stephen Schwartz and a screenplay adapted by Winnie Holzman, the creative team of the original stage production, ‘Wicked’ is sure to captivate both longtime fans and newcomers.

'Wicked' Poster

‘Wicked’ Poster


‘Wicked’, produced by Marc Platt and David Stone, who have received several Oscar, Emmy, and Tony nominations, is poised to become a cultural sensation. With its immersive plot and iconic musical sequences, the picture is poised to reinvent the genre and impact movie history indelibly.

Fans should mark their calendars for “Wicked Part Two,” which will arrive in theaters on November 26, 2025.

In a world where dreams fly and witches defy expectations, ‘Wicked’ invites audiences to discover the wonder of Oz like never before. Prepare to be enchanted this Christmas season as the epic tale of ‘Wicked’ plays out on the big screen.

Watched ‘Wicked’ Official Trailer Below!

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Buffalo dedicates memorial to victims on second anniversary of racist mass shooting

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BUFFALO, N.Y. (AP) — The city of Buffalo on Tuesday marked the second anniversary of a racist mass shooting that killed 10 Black people with the dedication of a memorial space honoring the victims.

Anchoring the space outside the Tops supermarket targeted in the attack is a sculpture entitled “Unity,” which features purple metal pillars representing each person killed. Three gold pillars represent those who were wounded.

The sculpture by Buffalo artist Valeria Cray and her son, Hiram Cray, is part of the newly constructed 5/14 Tops Honor Space, a small park-like area with benches, pillars and gardens.

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“It’s still so traumatic,” said Buffalo resident Lisa Kragbe as she sat on a bench in the Honor Space before a ceremony attended by city, state and federal officials. She said people still have trouble going into the store, which was renovated after the attack.

Payton Gendron, who is white, is serving a sentence of life in prison with no chance of parole after he pleaded guilty to state charges of murder and hate-motivated domestic terrorism. Gendron, who was 18 when he livestreamed the massacre after driving three hours from his home in Conklin, New York, could face the death penalty if convicted of pending federal hate crimes. He has pleaded not guilty in that case.

The Honor space also includes a pear tree gifted to Buffalo through the 9/11 Memorial & Museum’s Survivor Tree Seedling Program. Seedlings from a tree pulled from the World Trade Center rubble after 9/11, are sent to communities that embody the tree’s spirit.

A larger memorial for the victims is planned off-site.



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