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Lee Daniels reveals how his spiritual journey, finding forgiveness with Mo’Nique influenced ‘The Deliverance’

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Lee Daniels’ newest film is all about letting go of your demons — literally. 

“The Deliverance” follows Ebony (Andra Day), an alcoholic mother who is trying to raise her children by herself after her husband is shipped off to Iraq. Her mother and the children’s grandmother, Alberta (Glenn Close), who used to live a rough life before finding religion, joins her. The family moves into a new home in Pennsylvania, where the children become demonically possessed. With the help of Reverend Bernice James (Aunjanue Ellis-Taylor), Ebony must save her family from evil spirits, and in turn, save herself. 

The film is about demonic possession in the literal sense, but also about how our inner demons — whether they be addiction, anger, or any other negative influence — can limit us from becoming our best selves. Daniels tells theGrio exclusively that he was originally pitched the movie years ago, but had to go on his own spiritual journey before he could direct the film. 

“When it was presented to me a long time ago, after ‘Precious,’ I didn’t want to do it because Ebony was hitting her kids,” Daniels explains. “I didn’t want to repeat that. I just didn’t want to do that thing about abuse. I didn’t want to do it because I truly believe that I’m an open portal when I’m working. I didn’t want that [evil] on me, but I realized that, many, many years later, we’re in dark times.” 

Lee Daniels, thegrio.com
Lee Daniels attends the 49th Annual AFI Life Achievement Award Honoring Nicole Kidman at Dolby Theatre on April 27, 2024, in Hollywood, California. (Photo by Kevin Winter/Getty Images for Warner Bros. Discovery)

“I’m here to scare you to your higher power,” he continues. “For me, it’s Jesus. For [others], it could be Allah or Buddha, or whoever your higher power is. But to bring you to a higher spirituality, because I found myself not in a place of [a] spiritualist prior to this [film].” 

Cautious of evil spirits, Daniels says he prayed every day with the cast and crew before filming and had a pastor on set. The director was very intentional about who he wanted in the production and that list included actress Mo’Nique, with whom Daniels had a 13-year feud. 

The two clashed in 2009 when Mo’Nique declined to promote Daniels’ film “Precious,” in which she starred. In 2022, Daniels apologized to Mo’Nique, who won an Oscar for her performance, ending their feud and paving the way for the creation of their 2023 film “The Reading” and “The Deliverance.”

Daniels tells theGrio that reconciling with Mo’Nique, who stars as social worker Cynthia Henry in the film, was “part of finding my higher power.” 

“[I learned] that I had to forgive and I had to show forgiveness. I had to apologize,” Daniels says. “And not only apologize, but apologize publicly. And not only apologize publicly, but say, ‘Hey girl, let’s hit it again.’ But not only, ‘let’s hit it again,’ but let me put you in something that’s the complete opposite of what it is that you did [in ‘Precious’]. I’m gonna put you in some Gucci and jewelry, even though social workers don’t make that kind of money. We’re gonna have fun.” 

“I get emotional even talking about it now, because it was a reunion with my sister that I can’t even talk about,” he adds. “It felt cozy. It felt like, ‘I’m never going to let [a feud] happen again.’”

Daniels and Mo’Nique’s reconciliation points to another theme in “The Deliverance”: believing and celebrating Black women. When Ebony first reports the supernatural occurrences happening in her home, no one believes her. Daniels wants audiences to learn through the film that they should believe Black women when they speak out. 

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“So often, Black women aren’t believed. Look at Kamala Harris today, you know what I mean?” Daniels says. “It’s incredible. We don’t believe Black women. And for me, it was about making sure that our women were believed. That was really a crucial part of [the film]. I work so well with Black women. They grew me. They protected me. My aunts protected me as a kid. And so, I celebrate them, and their flaws, and their beauties, and their complications. I’m fascinated. For me, I was in a playground [on set].”

“The Deliverance” is now available to stream on Netflix. 

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Chrystul Kizer Sentenced For Killing Her Alleged Sex Trafficker

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Image for article titled This Black Woman Killed Her Alleged Sex Trafficker, and Her Consequences are Heartbreaking

Photo: Sean Krajacic/The Kenosha News (AP)

After five years of fighting to prove her innocence in the fatal shooting of her sex trafficker, Chrystul Kizer finally has a response from the court on her self-defense claim… and it’s not good.

Kenosha County Court documents show Kizer was sentenced to 11 years in prison and five years of extended supervision following the 2018 death of Kenosha resident Randall Volar. Kizer previously pleaded guilty to second-degree reckless homicide after admitting to fatally shooting Volar and setting his house on fire. However, that wasn’t all to the story.

Kizer, who was a mere 16 years old at the time of the shooting, accused Volar of sexually abusing her and trafficking her as well as other young Black girls. She told The Washington Post Volar tried to bait her for sex with money and gifts and recalled stories of the other girls being fed synthetic drugs.

The police said they raided his home following a 911 call, leading to the discovery of photos and videos of Volar’s sexual abuse. However, he was released the same day he was arrested.

A few days later, the night of June 5, 2018, Kizer arrived to Volar’s home with a firearm. After refusing sex, she said Volar got physical with her, resulting in her shooting him twice in the head. She confessed to police that she set the house ablaze and fled the scene in his BMW.

The verdict marks the conclusion of years of advocates and sex abuse survivors rallying behind Kizer and supported her claim of self-defense. Kizer seemingly had a lead after a 2022 Wisconsin Supreme Court ruling on the affirmative defense law.

Through that, she was allowed to present evidence in a trial to support her claim that the shooting was a direct result of her being prostituted. However, she entered her plea in May to avoid a possible life sentence if she were to be found guilty.

District Attorney Michael Graveley said she was credited 570 days for the time she already spent awaiting trial. Kizer has a restitution hearing November 8.

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Saraya’s AEW Future Up in the Air as Contract Nears Expiration – Where Is The Buzz

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Former WWE Diva’s Champion Saraya, now a prominent figure in All Elite Wrestling (AEW), is in the midst of contract negotiations with the company, as her current deal is set to expire next month. While conversations regarding an extension have begun, the future of the charismatic star in AEW remains uncertain.

Saraya made a triumphant return to the wrestling world when she debuted for AEW at the Grand Slam episode of Dynamite in 2022. Following her arrival, fans were thrilled to learn she was cleared to compete again, a remarkable achievement after overcoming a career-threatening neck injury. Her in-ring comeback at Full Gear 2022 against Britt Baker was a defining moment for both her and the company.

According to a report from Fightful Select, Saraya’s contract with AEW extends at least until September, with option years included in the agreement. However, the details surrounding these options have been a subject of internal debate.While there are conflicting claims about who holds the option years, it’s clear that both sides have initiated discussions about potentially extending the deal by at least a year. This could involve exercising one of the existing option years or negotiating an entirely new contract.

Despite the contract uncertainty, Saraya is reportedly planned for this year’s All In pay-per-view, a significant event for AEW. Her involvement in the show would undoubtedly be a major draw for fans.

The former AEW Women’s World Champion has been a valuable asset to the company since her arrival. Her captivating personality and in-ring abilities have made her a fan favorite, and her championship reign added another layer to her star power. However, her tenure at the top was short-lived, as she lost the title to Hikaru Shida just 44 days after winning it.

Intriguingly, Saraya has kept the door open for a potential return to WWE. In previous interviews, she revealed that she had a conversation with Triple H upon her departure from the company in 2022. While it was the previous regime’s decision to release her, Triple H left the possibility of a future return open-ended.

With her contract nearing its expiration, the wrestling world is watching closely to see where Saraya’s career will take her next. AEW fans will undoubtedly be hoping for an extension, while WWE supporters will be keeping a watchful eye on the situation.


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Let’s have this Michael Jackson versus Chris Brown discussion

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Editor’s note: The following article is an op-ed, and the views expressed are the author’s own. Read more opinions on theGrio.

Musically, I like Chris Brown. I realize that his personal life makes him as problematic a star as we’ve ever had, but based purely on his artistry, I’m a fan. He can sing, dance, perform, rap, write, etc. He’s the full package, maybe even more so than Usher Raymond, who has been the R&B gold standard for years since the late 1990s. Usher’s musical catalog is better than Chris Brown’s; I don’t think that’s disputable, but they are both great at what they do. Chris, though, has something extra that makes Chris Brown versus Usher a discussion worth hearing out. 

And then there’s Michael Jackson. You’ve heard of him. Another problematic superstar (it kind of seems like they all are), who was very likely the most famous human on Earth for a time. Michael Jackson could sing, dance, perform, understood theatrics and had an unassailable catalog to boot. Michael Jackson has a few of the best-selling albums of all time, for good reason — “Off The Wall” and “Thriller” are amazing bodies of work. Full stop. 

By the time Mike (we’ll call Michael Jackson Mike from here on out) passed away in 2009, his glory days were far behind him. He was still a draw, evidenced by the ticket sales for the “This Is It” slate of shows he was scheduled to do in 2009 and 2010 in London. But even a slowed-down Mike was a cut above the rest. He just was. Do you know how significant and good you have to be for you to be on worldwide one-name status with the name “Michael”? Mike was the best of all the things. Maybe he didn’t have the greatest voice of all time, but he was an absolutely amazing vocalist, and his concerts were the stuff of legend. I attended a concert stop for “Bad” in West Germany in 1988 (I don’t remember which city we saw it in, but I lived in Frankfurt at the time), and I still vividly remember this concert. Just like I remember that show, I also remember listening to the album incessantly, along with millions and millions of other people. 

That’s why I’m always amazed at the Chris Brown versus Michael Jackson arguments. Again, I’m a fan of Chris Brown (and to his credit he has shut down the “next coming of Michael Jackson” conversation himself). Recently, while speaking with Stephen A. Smith, R&B singer and podcaster Tank said that Chris Brown is better than Michael Jackson, pointing out that it was just an evolutionary thing. 

I don’t agree with Stephen A. Smith as much as I would like to, but his reaction was fitting, not just because the statement sounded crazy but because it’s simply not true. Chris Brown, I’d argue, is a generational talent, and one of the most complete artists out right now. And, I think Brown’s ceiling is higher than he’s reached. His run-ins with the law and destructive actions, coupled with the era in which he’s making music, make it difficult for an artist like him to fully max out his potential unless he truly decides he wants to do it. Chris Brown has megahits but I don’t think he has an album that can sit with any of Mike’s. That’s not even a knock on him so much as a feature of this musical era; many people think Usher’s “Confessions” was the last great eventworthy, R&B album — that came out in 2004. Musical artists are very heavy on singles and the algorithm that ensures a song will blow up on streaming. Chris has a bit of the middle child syndrome that J. Cole references in his song of the same name, which speaks about the difficulty of being an artist who straddles eras. Chris has been around long enough that he has all of these amazing musical videos, performances on award shows and truly iconic songs. But his catalog of music is where the argument loses steam. 

In comparison, most people who know Michael Jackson can name his albums because they impacted at the time of their release and are still in rotation today. Mike’s music and albums are here for eternity. “Thriller,” for instance, will outlive us all. In the era when Michael Jackson was making music, the album was the main unit of measure. Artists might not view them the same nowadays, but they are still making and releasing full-length albums so they still have relevance. 

Music

Mike also benefited from working with Quincy Jones, who found a way to hone Mike’s sound and goals into the behemoth that became Mike’s career (and thus fame), the same way Jimmy Jam and Terry Lewis helped Janet Jackson reach her creative peak. I don’t know that Chris Brown has had one producer who truly has his ear in a way that would allow him to find a singular sound and vision to create a legendary and everlasting body of work. I combed through the credits on all of Chris Brown’s albums, of which he has several with amazing songs all over them, and the producer list reads like a who’s who of hot-now producers. Coupled with the fact that the albums were less R&B and more of the rap/R&B mashup that dominates the sound of current R&B, his music has its high points, but do any of his albums stick to your ribs in a way that stands the test of time? I’m going to say no. 

And that’s the real separator. Chris Brown, like many, was influenced by Michael Jackson and understood the pressure of being viewed as an heir apparent. Chris Brown’s performance, presence, quality entertainment and musical offerings are all clear markers of why the Michael Jackson comparisons come up (the same with Usher). I’m sure Chris is even flattered by it while maintaining a humble stance that he knows that Michael was truly an alien, a one-of-one, a status that perhaps Chris could reach one day with some work. 

Do I think Chris Brown could catch Mike? I don’t think so, but it’s not Chris’ fault. I think Michael Jackson was too big for too long with albums that will outlive us all; I’m not sure ANYBODY could surpass Jackson. Not Chris. Not Beyoncé. Not anybody. Talent-wise? Sure. Chris has all of the talents you could ask for in a person. I used to argue that adding Chris Brown to any record immediately made it better — his sheer presence and vocals were enough to elevate any song. I still believe that. I just think Mike is an insurmountable goal and frankly, it’s not worth it to try. I doubt anybody could overtake the space Michael Jackson has in my lifetime. 

Maybe eventually but I won’t be surprised if people are still trying to find the next Mike 100 years from now.


Panama Jackson theGrio.com

Panama Jackson is a columnist at theGrio and host of the award-winning podcast, “Dear Culture” on theGrio Black Podcast Network. He writes very Black things, drinks very brown liquors, and is pretty fly for a light guy. His biggest accomplishment to date coincides with his Blackest accomplishment to date in that he received a phone call from Oprah Winfrey after she read one of his pieces (biggest) but he didn’t answer the phone because the caller ID said “Unknown” (Blackest).



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Scene-Stealing “Divorce In The Black” Actress Discusses Day Job

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There’s more than meets the eye when it comes to Ursula Robinson, the scene-stealing actress in Tyler Perry’s latest film. The actress who had everyone talking in the film’s opening scene is a tenured professor at South Carolina State University.

Robinson, who has been with SC State for 25 years, is currently the school’s drama program coordinator and tenured associate professor of drama, according to WTLX.

As The Root previously reported, the funeral scene was all fans could talk about on social media, calling it a scene that will, “go down in history,” due in large part to Robinson’s larger-than-life performance. Some have already dubbed it a rewatchable scene that fans will refer to for years to come.

One user wrote, “Had to watch #DivorceInTheBlack again… the church scene takes me out every single time.”

Robinson told the channel that she believes firmly, “that there’s a little Linda in all of us.” She broke down her relationship with the film’s cast, including Meagan Good, Cory Hardrict, Debbi Morgan and Richard Lawson, insisting that they all formed a “strong bond” together.

“King Richard as I call him, King Richard turned out to be a mentor for me,” she said of Lawson. “And he’s coming to work with our students.”

Robinson’s experience on set translated into bringing important knowledge she got back to her students on campus. “I tell them, everything that I do while I’m away is to benefit you,” she said in the interview. “Because what I bring back is the knowledge that I gain by going to work in the industry. So now you have access to current knowledge in the industry through me.”

“Divorce In The Black’ is the latest in Perry’s filmography. While receiving negative reviews and mixed reception on social media, the film was without a doubt a hit for the multi-hyphenate, breaking Prime Video records. According to Variety, “Nielsen reported that it hit more than 498 million minutes watched in its first four days of availability” on the streaming service.

According to Amazon, it also led to a major uptick in sign-ups for Prime Video in the U.S., “more than any Amazon MGM Studios-produced movie to date.”

Check out the full interview with Robinson here.

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Woman Accuses Diddy of Sex Trafficking, Files Police Report – Where Is The Buzz

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Sean “Diddy” Combs is facing another hurdle in the ongoing legal battle surrounding allegations of sexual assault and sex trafficking. Adria English, one of the women who has publicly accused the music mogul of these heinous crimes, has escalated her claims by filing an official police report in Miami.

English initially filed a lawsuit in July, detailing a harrowing ordeal she allegedly endured while working at one of Diddy’s infamous “white parties” in 2004. According to the lawsuit, she was lured into the position with the promise of helping her boyfriend secure a modeling contract. However, the glamorous facade quickly crumbled as English claims she was subjected to a world of coercion and abuse.

The lawsuit alleges that Diddy attempted to force English’s boyfriend to perform oral sex on him, a demand that was met with refusal. English further alleges that she was drugged with a mixture of alcohol and ecstasy before being compelled to engage in sexual acts with Diddy and his associates.

Undeterred by the civil lawsuit, English has now taken the drastic step of involving law enforcement. She recently filed a criminal complaint with the Miami Police Department, seeking justice for the alleged crimes she endured. While the department has officially documented the complaint, it appears that the case may face challenges due to insufficient evidence for a sex trafficking investigation.

However, a glimmer of hope emerges as Miami PD has shared the report with federal investigators. This development could potentially open new avenues for pursuing the case on a federal level, where investigative resources and expertise in complex sex trafficking cases are more robust.

English’s attorney, Ariel Mitchell, expressed cautious optimism about the process, revealing plans to file a similar police report in New York City. Given the jurisdiction-specific requirements for in-person reporting, this next step is expected to occur shortly.

As the legal proceedings unfold, the public eye remains fixed on this high-profile case. Diddy has vehemently denied all allegations, maintaining his innocence through his legal team. With multiple women coming forward with similar accounts, the pressure on the music mogul is intensifying.


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Harris’ DNC nomination is a debt owed to Black women, says MSNBC’s Joy Reid 

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The Democratic National Convention (DNC) marks a historic feat for Kamala Harris. On Thursday, she will officially become the first Black woman and person of South Asian descent to clinch the presidential nomination from a major political party.

It’s a moment that can be seen as Democrats’ long-owed debt to Black women, who, for decades, have been regarded as the political backbone of the racially and ethnically diverse party. 

“For me, as a Black woman, I look at it from the standpoint of Shirley Chisholm‘s legacy really being paid back by the party in nominating and embracing this Black woman to make her the most powerful person in the country,” said Joy Reid, host of MSNBC’s “The ReidOut,” told theGrio.

More than 50 years before Harris’ historic rise in American politics, Chisholm made history in 1972 when she launched her glass-shattering presidential campaign. The then-two-term U.S. congresswoman made history as the first Black person — and first Black woman — to run for the White House.

“The country was clearly not ready … this is four years after the assassination of Dr. [Martin Luther] King, and the country was not ready to shift the conversation from race to feminism,” explained Reid, who this week joins MSNBC’s superstar anchor lineup for the network’s special live DNC coverage in Chicago.

Portrait of Shirley Chisholm, the first Black woman elected to Congress in 1968. In 1972, she became the first woman and first Black person from a major party to run for president.
American politician, educator, and author Shirley Chisholm (1924–2005), member of the U.S. House of Representatives from New York’s 12th district, cheered by the crowd as she gives a speech for Women’s Rights Day on April 4, 1981. (Photo by Nancy Shia/Archive Photos/Getty Images)

Despite Chisholm’s unsuccessful bid for the presidency, Black women’s organizing and election turnout resulted in major wins for the Democratic Party over the ensuing years. 

“Black women have been so foundational to the Democratic Party in the last two generations,” said Reid.

The journalist and theGrio alum acknowledged the pioneering Black women who worked behind the scenes in Democratic politics, paving the windy road for Harris’ ascent to the top of the ticket with her vice presidential running mate, Minnesota Gov. Tim Walz

Those women include members of the self-described “Colored Girls,” comprised of Minyon Moore, chair of this year’s DNC; Donna Brazile, former Democratic National Committee chairwoman; Leah Daughtry, co-chair of this year’s DNC rules committee; and Yolanda Caraway. All four women got their start in Rev. Jesse Jackson’s presidential campaign.

Despite the pioneering efforts of Black women in politics, Reid lamented that only a handful of Black women have served in the U.S. Senate (a shortlist that includes Harris), and none have been elected governor, despite the notable efforts of Stacey Abrams

“Black women have not gotten a lot of power in return,” Reid told theGrio. “Black women have carried this party for so long and worked so hard and worked so diligently without a lot of recompense.”

It was that lack of progress and frustration that led the very same Black women who helped reshape the party to organize once more to ensure President Joe Biden selected Harris as his running mate in 2020. They also pushed the 46th president of the United States to nominate Ketanji Brown Jackson as the first Black woman to serve in the U.S. Supreme Court. 

Organizing aside, Reid says Harris’ emergence as the Democratic Party’s standard bearer should come as no surprise to those who have paid close attention to her. 

Joy Reid, theGrio.com
Joy Reid speaks during the 2024 ESSENCE Festival Of Culture™ Presented By Coca-Cola® at Ernest N. Morial Convention Center on July 7, 2024, in New Orleans, Louisiana. (Photo by Arturo Holmes/Getty Images for ESSENCE)

“She’s been on the radar of a lot of us who’ve been covering politics for a long time,” said Reid, who recalled Barack Obama, America’s first Black president, naming Harris as “most likely to be the next him.”

Reid said she remembered Harris as a standout on Tavis Smiley’s “The State of the Black Union” in the early 2000s. Though her first launch for president in 2020 ended shortly before the first Democratic primary contest, Reid maintained that Harris “had really shown her political ability in that campaign.”

The MSNBC host continued, “She didn’t get nominated at the time, but she did well enough and was compelling enough to particularly Black women voters that it seemed to me inevitable that she would be the choice of Joe Biden for vice president.”

What did surprise Reid was the party’s “full-throated, enthusiastic … [and] almost celebrity-level embrace” of Harris. 

“We haven’t seen that with any Black woman who’s raised her hand for a political office … and to see it come not just from Black women,” she said. “White women are excited. White men are excited. Black men are excited. Latinas and AAPI folks.”

As various groups of the voting electorate unite against an “anti-democracy movement” led by Republican presidential nominee and former President Donald Trump, Reid said there’s a sense of urgency for “anyone who cares about equality and equity.” 

“The idea that ‘We’re not going back’ … is like urgent,” she said, in reference to the spontaneous slogan for the Harris for president campaign.  

Kamala Harris, VP, Tim Walz, theGrio.com
Vice President Kamala Harris speaks during a campaign rally on July 30, 2024, in Atlanta. (Photo by John Bazemore, AP, File)

Reid added, “I think she is walking into an urgency that is making her campaign possible and is making it popular.”

Of course, with fewer than 80 days left until Election Day on Nov. 5, many voters still don’t know a lot about Harris and Walz. Reid said the role she and others in the news media will play in shaping the coverage of the historic campaign will be crucial. 

“We’re sort of introducing two relatively new figures on the American stage. So we have to cover them robustly,” she urged. “And at the same time, we have to remind people that the risks are still very real.”

In the meantime, Harris continues to ride a wave of enthusiasm that shows no signs of slowing down. Reid acknowledged that the vice president’s unique identity can’t be ignored. 

“At a certain point, a country needs its mama,” said Reid. “It’s partly her and her own ability, and it’s partly a sort of deep-seated and deeply felt need in this country to have, like a sister, friend, auntie … a female presence to make the country feel better about itself.”

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Detroit Judge Who Had Sleepy Teen Cuffed Suspended from Classes

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Image for article titled Detroit Judge Who Humiliated A 15-Year-Old Black Girl Keeps Messing Around and Finding Out

Screenshot: 36th District Court (YouTube)

A Detroit judge’s power trip last week — forcing a Black teen to wear jail clothes and handcuffs for falling asleep — has resulted in a ripple of consequences. The latest development resulted in serious action from his second employer.

Kenneth King, a judge in the 36th District Court, has been in the hot seat since his stunt last week. As seen in a now-deleted courtroom video, King scolded 15-year-old Eva Goodman for falling asleep in his courtroom while she visited as part of a field trip. After accusing her of “giving him attitude,” he ordered Goodman to be handcuffed, put in jail clothes and to plead her case among her peers as to why she shouldn’t be sent to juvenile detention as King threatened.

Since the situation went viral, Goodman’s mother previously spoke out expressing that she and her daughter have struggled to find housing. That along with Goodman’s job and other responsibilities contributed to the teen’s drowsiness, she told The Detroit Free Press.

Though King proudly defended his actions that day, Wayne State University spokesperson Bill Roose tells the Detroit outlet that King has been suspended from his two Fall 2024 courses of the judicial process and criminal procedure/investigation.

“In light of the 36th District Court’s temporary suspension of Judge Kenneth King, Wayne State University has reassigned two Fall 2024 courses to other instructors. As a contracted part-time faculty member, Judge King has never had an ongoing faculty appointment. Since 2022, he has taught a total of five sections of courses between Wayne State’s Law School and College of Liberal Arts and Sciences,” read the statement.

King’s actions in the courtroom that day also resulted in an internal probe that led him to be temporarily removed from his court docket, per a statement from Chief Judge William McConico. He’s been ordered to undergo training to address the “underlying issues” that led to the teen’s humiliation.

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Danielle Fishel Shares Devastating Breast Cancer Diagnosis – Where Is The Buzz

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Beloved actress Danielle Fishel has opened up about her recent breast cancer diagnosis, sharing the heartbreaking news with fans on her podcast, “Pod Meets World.”

The former “Boy Meets World” star revealed that she was diagnosed with ductal carcinoma in situ (DCIS), an early stage of breast cancer. Thankfully, the cancer was caught extremely early, placing her at “technically stage zero.”

Fishel expressed gratitude for the early detection, emphasizing the importance of regular check-ups. “If you have to find out you have cancer, find out at stage zero if possible,” she urged listeners.

While facing a challenging journey ahead, Fishel remains optimistic and assures fans that her health is her top priority.Her co-hosts and former on-screen partners, Rider Strong and Will Friedle, were among the first to offer their support.

Fans and colleagues alike have sent an outpouring of love and well wishes to Fishel as she begins her treatment.


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Protesters plan large marches and rallies as Democratic National Convention kicks off in Chicago

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CHICAGO (AP) — Crowds of activists are expected to gather in Chicago for protests outside the Democratic National Convention this week, hoping to call attention to such issues as economic injustice, reproductive rights and the war in Gaza.

While Vice President Kamala Harris has galvanized the party as she gears up to accept the Democratic nomination, activists say their plans to demonstrate haven’t changed. They’re ready to amplify their progressive message before the nation’s top Democratic leaders.

Their issues cover climate change, abortion rights and racial equality, to name a few, but many activists agree an immediate cease-fire in the Israel-Hamas war is the overarching message of the demonstrations. They’ve likened it to the Vietnam War of their generation. The Chicago area has one of the largest Palestinian communities in the nation and buses are bringing activists to Chicago from all over the country. Organizers estimate turnout for Monday’s march and rally, on the first day of the convention, to be at least 20,000 people.

“We have to play our part in the belly of the beast to stop the genocide, to end U.S. aid to Israel and stand with Palestine,” said Hatem Abudayyeh, a spokesperson for the Coalition to March on the DNC.

The coalition is made up of hundreds of organizations, including students. Activists say they learned lessons from last month’s Republican National Convention in Milwaukee. They expect bigger crowds and more robust demonstrations through the week.

The first protest on Sunday night brought together those calling for abortion and LGBTQ+ rights and an end to the war in Gaza. The march lasted for hours, along a route lined by police, and showed no signs of major conflicts. Chicago police said two people were arrested on misdemeanor charges of resisting police and damaging property.

Illinois Gov. JB Pritzker, who was under consideration as Harris’ running mate, said peaceful protests were welcome.

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“There are a lot of people who are inside the hall who will believe in some of those messages and carry that with them,” Pritzker told The Associated Press in a recent interview. “But importantly, the Democratic Party doesn’t shut people out and disallow them from expressing their First Amendment rights.”

But some have lingering safety concerns, worried that protests could become unpredictable or devolve into chaos.

Chicago, which has hosted more political conventions than any other U.S. city, has been unable to escape comparisons to the infamous 1968 convention where police and anti-Vietnam War protesters violently clashed on live television.

Some businesses boarded up their windows as a precaution and county courts said they would open more space in case of mass arrests. Chicago police say officers have undergone extensive training on constitutional policing and de-escalation tactics.

Coalition activists and the city have been at odds over the location of the protests and other logistics. A judge sided with the city over an approximately 1-mile (1.6-kilometer) march route, which organizers argue isn’t big enough for the expected crowds. Abudayyeh said the coalition would continue to push for a much longer route until the march started on Monday.

Also Monday, the Philadelphia-based Poor People’s Army, which advocates for economic justice, plans to set up at Humboldt Park on the northwest side of Chicago and will feature events with third-party candidates Jill Stein and Cornel West, plus a 3-mile (5-kilometer) march.

Aside from the protests the city is also hosting a speakers’ stage at a park outside the convention center with 45-minute time slots. Most of the organizations who’ve signed up have the same progressive agenda as the coalition, but the list also includes the Israeli American Council and the conservative-leaning Illinois Policy Institute. A local firefighters union is also hoping to call attention to their contract fight with the city.

“The First Amendment is fundamental to our democracy,” Chicago Mayor Brandon Johnson, a former union organizer, told the AP in an interview last week. “I’ll do everything in my power to protect the right to assemble in protest.”

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