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NABJ did the white thing

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The burden of working for racial justice is laid on the very people bearing the brunt of the injustice and not the powerful people who maintain it. I say to you: 

I refuse.

NIkole Hannah-Jones

On April 23, 1899, Georgia’s Caucasian citizenry gathered in Newnan to participate in one of white America’s greatest traditions:

They were going to lynch Sam Hose

Hose was a Black man who was accused of brutally murdering his employer, the employer’s wife and the couple’s newborn son. No one cared that Hose killed his boss by throwing an axe as his employer was about to shoot him for demanding a day off. It didn’t matter that Hose had not been tried for the alleged crime. The flash mob didn’t care that the wife and child that Hose was accused of killing were actually alive and had not been touched. In those days, Black lives didn’t matter. White people didn’t care. To them, lynching Black people was normal.

So many lynching enthusiasts flocked to Newnan that railroad companies rerouted their trains to accommodate the white flash mob. When they arrived, hundreds of normal, white adults took turns slicing off pieces of Hose’s extremities, ears and genitalia to keep as souvenirs while their normal white kids gathered firewood. After a series of routine stabbings, the normal lynchers doused Hose with ordinary gasoline, burned him and sang their normal songs until Hose’s eyes exploded from his head. Then, they went back to their normal homes. 

W.E.B. Du Bois was not normal. 

He formed the foundation of the study of human behavior that would become known as sociology. His brain sowed the seeds that spawned the modern Civil Rights Movement, the study of African American history, critical race theory and even nuclear disarmament. While I personally believe he is the most brilliant mind America ever produced, I must also concede that my appreciation for his brilliance pales in comparison to the biggest Du Bois fanboy of all:

William Edward Burghardt Du Bois.

As one of the most eloquent, prolific wordsmiths who ever lived and breathed, Du Bois believed he was uniquely equipped to convince white people of the error of their lynching ways. Since he was in Georgia teaching at Atlanta University, he put on his best suit, grabbed his walking cane and headed to meet the editor of the Atlanta Constitution. Du Bois was going to defeat the normalized racial violence that had infected society. He truly believed white supremacy was no match for facts, scientific data, logic and, most of all, the singular genius of the smartest man in the world.

“I did not get there,” Du Bois wrote in “Dusk of Dawn: An Autobiography of a Race Concept.” “Sam Hose had been lynched, and they said that his knuckles were on exhibition at a grocery store farther down on Mitchell Street, along which I was walking. I turned back to the University. I began to turn aside from my work. I did not meet Joel Chandler Harris nor the editor of the Constitution.

“Two considerations thereafter broke in upon my work and eventually disrupted it: first, one could not be a calm, cool, and detached scientist while Negroes were lynched, murdered, and starved; and secondly, there was no such definite demand for scientific work of the sort that I was doing.”

If W.E.B. Du Bois were alive, he would probably be in Chicago right now at the annual convention for the National Association of Black Journalists. Some of the most brilliant reporters, smartest thinkers and eloquent writers in America are gathered in community in the same hotel from which I am typing these words. During my time here, I have not met a single NABJ member who agreed with the decision to invite Donald Trump. 

Of course, there were a few people who contended that NABJ should have treated Donald Trump as if he were any other presidential candidate. They mistakenly believed that the fiasco that happened on Wednesday could have been avoided by choosing more aggressive questions, more experienced journalists or having a male reporter on stage. Others say NABJ needed a live fact-checker on stage with Trump. Or maybe it was the audio. 

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Those people are wrong.

The only difference between every other Trump interview and the dumpster fire that exploded at the NABJ convention is that Black people set it up. Trump did what he always does. He attacked women. He spewed racism. He lied. He sowed chaos and division. We already know Black lives do not matter to him. Everyone knows he does not care about the truth. Or laws. Or us. He is a one-man lynch mob. A lie enthusiast. But more than anything … Donald Trump is normal.  

The most common complaint of Black journalists is about how white media hides behind the artificial construct of objectivity when covering Trump. Outlets like the New York Times are not objective; they are just white. Their entire coverage normalizes his conduct. When covering his criminal cases, they don’t cover him like a criminal. They are supposed to be truth-tellers, but they routinely share his words without noting that they come from the mouth of an unrepentant liar. They have no trouble referring to people as terrorists, looters and scammers. But apparently, they need more evidence before they can call Trump a racist. Still, by deciding to normalize Trump in the same way as white journalists, NABJ put the knuckles of all Black journalists on display. 

They could’ve just said no. 

Even if NABJ invites every presidential candidate to its convention, you don’t have to be the smartest man in the world to know that you can’t treat Donald Trump as if he were any other president. Treating a liar like a liar and a racist like a racist doesn’t require special considerations. Any editor at a reputable outlet would never use a certified liar as a source. Even if their backs were against the wall, they’d fact-check the lies. Most reputable outlets certainly wouldn’t ask a racist for an exclusive interview (Well, the New York Times would, but … You know how they do.)  

NABJ’s decision ultimately contradicted the reason NABJ exists. It ignored the voices of Black people and amplified racism. It treated the arbitrary unwritten rules of white journalism as if they were something to which Black journalists should aspire. It was disrespectful to Black women. It helped spread racism and disinformation and hate. It treated the warm glow of the white gaze as if it were the center of the universe. It put the burden of white supremacy on the shoulders of Black journalists.

Black people are not magic. 

During my time here, I have not seen anyone writing with a wand that could erase away all of the barriers to equality. Not even the most magical of negroes can convince Trump’s army of Mountain Dew drinkers that their orange crush is not a bigoted aspiring authoritarian. There is nothing those excellent Black journalists (and Harris Faulkner) can expose that the world hasn’t already seen. Why should mostly anti-MAGA Black conventiongoers have to walk around in the feces that anti-Black MAGAmuffins squirted out? Saying “no” is also an option. 

We cannot abracadabra white America into caring about Black people or democracy or justice, especially when white people truly believe the systems and culture they built are perfectly normal. How much labor should we expend before we realize that they are the ones who are sick? There is no amount of logic or reason that can cure white people of the virus they willingly spread. Nor is it our responsibility to try. Even if I could …

I refuse. 


Michael Harriot is a writer, cultural critic and championship-level Spades player. His NY Times bestseller  Black AF History: The Unwhitewashed Story of America is available in bookstores everywhere.

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Zeta Phi Beta Issues Public Statement on The Police Murder of Sonya Massey

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Zeta Phi Beta Sorority, Inc., issued a public statement today expressing deep condolences and calling for justice in the wake of the tragic death of Sonya Massey. Massey, a beloved mother, daughter, and friend, was fatally shot by a sheriff’s deputy in her home on July 6, 2024, after she had called the police about a potential prowler.

The sorority’s statement which was signed by Dr. Stacie N.C. Grant, the International President and CEO of the sorority emphasized the collective grief and outrage felt by the community, stating, “We, the women of Zeta Phi Beta Sorority, Incorporated, extend our deepest and most heartfelt condolences to the family of Sonya Massey. She was a cherished mother, daughter, and friend, and we stand heartbroken for the family and the entire Springfield, Illinois community.”

Massey’s death has renewed scrutiny on the disproportionate violence faced by Black Americans at the hands of law enforcement. “When we seek help, regardless of our identity or location, we should be able to do so without fear for our lives,” the statement read, highlighting the pervasive fear and vulnerability experienced by many Black Americans.

The statement also underscored the urgency of justice for Massey’s family. Sean Grayson, the Sangamon County Sheriff’s Deputy involved in the shooting, was fired from the agency and indicted by a grand jury on July 17th on multiple charges, including three counts of first-degree murder.

Zeta Phi Beta commended the swift actions of the Springfield State’s Attorney’s office but called for broader legislative reforms. The organization urged its members and the public to advocate for the George Floyd Justice in Policing Act of 2021, emphasizing their commitment to social justice, health justice, and economic justice.

“Our fundamental commitment to justice continues to be at stake with the long, disturbing patterns of police violence toward Black Americans,” the statement concluded. “We are calling upon all community leaders, social activists, changemakers, and all who stand for what’s right to mobilize for Sonya Massey and the protection of our people in our Black communities.”

The death of Sonya Massey, alongside the tragic losses of Breonna Taylor and Atatiana Jefferson, serves as a stark reminder of the ongoing struggles against systemic racism and police brutality. As the Springfield community mourns, the call for justice and systemic change remains as urgent as ever.

Read the full statement below:

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Dame Dash’s Roc-A-Fella Records Stake Set for Auction to Cover $800K Debt – Where Is The Buzz

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Dame Dash, co-founder of Roc-A-Fella Records, is facing the auction of his stake in the legendary label by the U.S. Marshal to cover an $800,000 debt owed to movie producer Josh Weber. This debt stems from a lawsuit involving copyright infringement and defamation over the 2016 film Dear Frank.

According to HipHop DX, Dame Dash was initially set to direct Dear Frank but was removed from the project due to performance issues, including excessive marijuana use. Despite his removal, Dash allegedly continued to promote the film as his own, leading to the lawsuit and subsequent financial judgment in Weber’s favor.

Josh Weber’s lawyer is directly involved in the auction process. Interested buyers must email the lawyer to participate, and the auction’s terms are stringent. The minimum bid cannot be less than $1.2 million, and a deposit of 20 percent, amounting to at least $240,000, is required at the time of sale.

The auction includes notable assets, most prominently Jay-Z’s debut album, Reasonable Doubt. This stake in Roc-A-Fella Records represents not only a significant piece of hip-hop history but also a valuable opportunity for collectors and investors.


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Take a Peak Inside Chris Paul’s Former California Mansion

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Screenshot: Realtor.com

Chris Paul is on the move once again. After signing with the San Antonio Spurs this summer to team up with French sensation Victor Wembenyama, the veteran point guard decided to unload his mansion in California after only one season with the Golden State Warriors.

According to TMZ, Paul sold the home for over $15 million. The Los Angeles property is set with eight bedrooms and 12 bathrooms. So the lucky buyer should have no problem hosting guests.

Let’s take a quick tour of the star’s former home.

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Flavor Flav helps Olympic discus thrower Veronica Fraley who said she struggles to pay the rent

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SAINT-DENIS, France (AP) — Vanderbilt’s discus thrower and Olympian Veronica Fraley lamented on social media that she needed help paying the rent.

Hip-hop artist Flavor Flav and entrepreneur Alexis Ohanian decided to help.

Soon after Fraley posted on the social media platform, X, that she was in need of financial assistance, Flav, founding member of the hip-hop group Public Enemy and a big fan of USA Water Polo, responded: “I gotchu.”

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Right on top that, Ohanian, the co-founder of Reddit and husband of tennis star Serena Williams, wrote: “Got you!” He followed through, too, by posting a picture of paying $7,760.00 and writing, “’Murica.”

In her post, Fraley alluded to the fact that her school pays about 75% of her rent while “they pay football players (who haven’t won anything) enough to buy new cars and houses.” She added three “thumbs-down” emojis. The Commodores football team went 2-10 last season, while Fraley won the NCAA discus title this season, set the school record and earned a spot on Team USA at U.S. Olympic track trials.

She also started a GoFundMe page that has raised $12,041 of her $20,000 goal. She appreciated the gesture of Flav and Ohanian and wrote: “THANKYOU & @FlavorFlav SO MUCH. This makes every difference in the WORLD & I hope to represent team USA well this week.”

Flav said he will be rooting for her and added “LETZ GO,!!!” The rapper is in Paris as part of his duties as the official hype man for USA Water Polo — a partnership that came together after he connected with U.S. captain Maggie Steffens on Instagram in May.

Veronica Fraley, thegrio.com
FILE – Veronica Fraley competes in the women’s discus throw final during the U.S. Track and Field Olympic Team Trials on June 27, 2024, in Eugene, Ore. (AP Photo/George Walker IV, File)

Fraley made sure to point out in a later post that her criticism wasn’t with Vanderbilt.

“Thanks for the supporting messages but I want to clarify my irritation isn’t with the school itself, mainly the rules that bar me from making the amount I’m WORTH as a collegiate athlete such as NIL which favors popularity over performance,” she wrote. “That’s all I’m sayin.”

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Mercedes Moné Reportedly Files for Divorce from WWE Costume Designer Sarath Ton – Where Is The Buzz

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AEW TBS Women’s Champion and NJPW STRONG Women’s Champion Mercedes Moné has initiated divorce proceedings from her husband, WWE costume designer Sarath Ton, known professionally as Mikaze.

The couple met during their tenure in WWE, where Mikaze had a brief stint as a wrestler before transitioning to a long-standing role as a costume designer. The news of their relationship went public, and they tied the knot in a private ceremony in 2016.

While the specifics of their split remain unclear, tension seemed to surface when Mercedes publicly criticized Mikaze’s work on her ring gear during a radio interview in July. This incident has fueled speculation about underlying issues in their marriage.

In addition to her personal life making headlines, Mercedes has been active and vocal on social media. Recently, she responded to a critical comment on her Instagram, where a fan disparaged her wrestling skills and career choices. The fan commented, “No offense, but you’re a sh*tty wrestler. You sucked in WWE because you couldn’t handle real competition to make a real name for yourself so you had to go to the low-class place. You think you’re big and bad, but you’re really a waste of time. Dr. Baker is a better wrestler than you.”

Mercedes confidently replied, “I’m the GOAT.”

Furthermore, Mercedes had another interaction with a fan who expressed nostalgia for her WWE persona, Sasha Banks. The fan commented, “This hair reminds me of the hair you had in WWE as Sasha Banks. I miss that wrestler.” To which Mercedes replied, “No, you don’t.” The fan continued, “Yes, I do. AEW is trash and just filled with ex-WWE wrestlers. Just saying.” Mercedes shot back with, “And what is E filled with (laughing emoji).”

Amidst personal drama and social media firestorms, Mercedes Martinez will defend her TBS Championship against the formidable Dr. Britt Baker, D.M.D. at the highly anticipated All In PPV event at Wembley Stadium on August 25th.

Stay tuned for more updates on this developing story.


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Shocking Takeaways From 50 Cent’s New Revealing Interview

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Despite being one of the more popular artists in the history of hip-hop, 50 Cent tends to not keep things super private, especially when it comes to other artists he may have problems with.

A Look Back At Rapper 50 Cent’s “Many Men” On Its 20th Anniversary

During his latest interview with The Hollywood Reporter, the rapper opened up about several topics relating to his growing television empire and other business ventures he has planned. But maybe the subjects that had most people talking on social media are his public disdain for Diddy and the reason he was invited to perform at the 2022 Super Bowl halftime show.

Here are some more of the most shocking takeaways from his interview.

Jay-Z wanted him blocked from the 2022 Super Bowl halftime show

I think we all remember the 2022 Super Bowl halftime show. It was the blackest halftime show of all time and featured several popular Black artists including Dr. Dre, Snoop Dogg, Kendrick Lamar, Mary J. Blige (and Eminem).

While 50 Cent was initially announced to be part of the show, it turned out to be a surprise appearance that excited all who watched. To discover that Hov of all people did not want him there is shocking.

He told THR, “Roc Nation. Yeah, they didn’t want me there. Eminem wouldn’t do it without me. That’s how I ended up on the show because he was not coming if I didn’t do it.”

‘Weird energy’ from Diddy caused their riff

Even before all the criminal allegations made against P. Diddy, 50 Cent always had it out against the Bad Boy Records founder.

During this interview, he revealed that a particular incident led to him distancing himself from the controversial hip-hop mogul, telling THR, “He asked to take me shopping. I thought that was the weirdest shit in the world because that might be something that a man says to a woman. And I’m just like, ‘Naw, I’m not fucking with this weird energy or weird shit,’ coming off the way he was just moving. From that, I wasn’t comfortable around him.”

He later added, “I didn’t ever party or hang out with him. Puff is a businessperson; when [people call him] a producer, I see people that were taken advantage of, who produced things that he took from them. He got the credit. He’s not a producer. He’s been able to take advantage of the business and the creatives in it. I don’t have any interest in doing that. I actually fall under the creative. So I just didn’t take to hanging out with that.”

Wasted time beefing with Fat Joe and Cam’ron

We all know 50 Cent is the king of beef in the hip-hop world. This man will beef with any and everyone if he had the opportunity to, so it’s shocking to see him say that he regrets beefing with other rappers.

He said, “Look, I think we wasted too much time arguing, me and Fat Joe, me and Cam’ron. There’s other guys like Jada[kiss], we cleared it up easier. But we wasted time because it was just the competitive nature. It wasn’t like we crossed paths and had real heat for each other.”

He continued to speak more on his relationship with Joe, saying, “When you look back at it, you go, “Wait, what happened?” Because we didn’t even have no altercation or no specific thing that created it. Now he’s like my friend, and I don’t care that he has relationships with people that I don’t, because he’s always had those relationships.”

Unsurprisingly, he had no regrets when talking about his long standing beef with Ja Rule. When asked, “Have you ever talked to Ja Rule?” He simply stated, “No.”

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Placing ‘community over competition’ grew Broccoli City into a can’t-miss festival

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There’s something very special about being in a space you can tell was created for us, by us — and when I say “us,” I mean Black communities. On July 27 and 28, the annual Broccoli City Fest showcased the power of self-affirming space in the nation’s capital, commonly known as “Chocolate City.” Combining music, art, culture, and community to create an immersive experience for fans and artists alike, the festival left the streets of Washington, D.C., buzzing with an infectious energy.

The music festival draws tens of thousands today, but Broccoli City began as a streetwear brand. While hosting parties to promote the merchandise, the label simultaneously created a safe space for Black people to come together and have fun. Quickly realizing attendees were more interested in the events than the apparel, the team focused on hosting more community celebrations; with the help of local party promoters, the first Broccoli City festival attracted approximately 5,000 attendees when it launched in 2013. Broccoli City co-founder Brandon McEachern describes that inaugural event as the “first big-ass day party.” 

“[At the time], we used a lot of the elements that we still use today, like the vendor marketplace, [which was created] because we wanted to make sure that the community was entwined,” McEachern told theGrio. “What we really wanted to do was create that community-centric event, but make it fly and popping, with artists that [transcend] that typical local band.” 

Having sold out the capital city’s Audi Field this year with a crowd rumored to number over 50,000, Broccoli City Fest has equally become a showcase for the entertainment industry. With previous hosts such as award-winning artists Jazmine Sullivan, Erykah Badu and Summer Walker, this year, buzzy headliners like Megan Thee Stallion, Victoria Monét and Gunna added to the festival’s ongoing allure for attendees and artists alike. 

However, Broccoli City is more than just a festival. Built on the pillars of impact, innovation and empowerment, even amid the brand’s catapult into the mainstream, McEachern and festival co-founders Marcus Allen, Darryl Perkins and Jermon Williams are staying true to their mission, creating innovative entertainment experiences alongside impactful spaces that celebrate culture and provide opportunities to spark meaningful change. 

“It’s really just about creating these moments yet again for us [Black communities] and getting us together,” McEachern explained, adding that authenticity, transparency, and responsiveness to feedback are the driving forces behind all of their events. 

Just as the festival and ancillary events have grown to host millions of attendees over the past decade, the Broccoli City brand has expanded to include professional conferences and job fairs like Broccoli Con, community service through its nonprofit, WeChipN, and other activations aimed to drive community engagement. According to Williams, who works closely with the festival’s communication team, the organic and relatable messaging of Broccoli City is part of the organization’s magic. 

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“The strategy so far has been to allow that content to move organically and really use the entertainment side to push and elevate the impact side,” Williams told theGrio, adding, “Because there are really two sides to the organization … we recognize that, yeah, people come for the entertainment, but how can we leverage that and use it to push our mission forward?” 

Putting the audience first, Broccoli City prides itself on not only giving attendees an array of options but also anticipating their needs. That intentionality was evident in all facets of this year’s festival, from venue changes that made it easier for all ages to access and enjoy the genre-diverse lineup of performers to Rep. Jasmine Crockett, D-Texas, highlighting the importance of voting to the array of multisensory experiences spread throughout Audi Field.

Other Black brands are essential partners in creating the Broccoli City vibe; in addition to the festival’s customary marketplace showcasing local Black-owned businesses like Dreams of Triumph, international brand activations were equally curated. For instance, a section of Black-founded hair company Shea Moisture’s booth was a mini hair salon offering touch-ups and styling for attendees in addition to goodie bags and water. Similarly, Hennessy, informally known as Black people’s most beloved spirit, offered seating, charging stations and item customizations for festival-goers to enjoy while sipping on cognac cocktails. And when attendees got hungry, they had an array of local Black-owned culinary choices on-site in the festival’s “Food Village.” 

“We really were pushing for just this new experience,” McEachern said, explaining how strategic the festival’s planning was this year, down to the most minute details, among them a scented body oil dispenser in one of the women’s bathrooms. As a Black woman who knows the unspoken cardinal rule to never be ashy, it was not only a pleasant surprise but a reminder that Black women play a large hand in the success of Broccoli City. 

“Our core demographic is you—and when I say that, I mean our [Black] sisters…most of our team is young, African-American, and multicultural women,” McEachern told theGrio. Williams agreed, adding, “The majority of journalists who cover [Broccoli City Fest] are Black women.”

With this in mind, the Broccoli City team considered the various ways the festival could not only cater to its core demographic but also pour back into them. Leading up to the festival, Broccoli City hosted a private dinner honoring women in music and media. The “Breakthrough Women in Music and Media” dinner celebrated a lineup of female music and media trailblazers like Kimberly Wilson and Janelle Gibbs, who “embody resilience and defy the odds at every turn.” Driven by the organization’s mission to foster community, the intimate female-led space also shined a light on the plethora of women leading and managing the various aspects of the social enterprise, including Broccoli City chief of staff Jacqueline L. Alston. 

This nuanced, inclusive and deeply attuned approach has allowed Broccoli City to continue fostering and growing the community-driven space that blossomed in 2013. Whether dancing along with fellow attendees in the crowd or participating in the various activations, when walking through Audi Field there was undoubtedly an energy radiating throughout the weekend. As attendee Jamesha Rosado noted, “there was definitely a sense of community and likelihood” of connecting with like-minded people at Broccoli City; whether through mutual or professional connections or a simple compliment, the environment was welcoming and friendly.

A glimpse into Broccoli City Festival 2024

Victoria Monét performs at BroccolI City Festival at Audi Field in Washington D.C. July 28, 2024 (Photo by Jarrett Lampley @wessywoo)

A glimpse into Broccoli City Festival 2024

Hennessy brand activation at Broccoli City Festival 2024 at Audi Field on July 27, 2024 in Washington, DC. (Photo by Brian Stukes/Getty Images for The Recording Academy)

A glimpse into Broccoli City Festival 2024

Megan Thee Stallion performs at BroccolI City Festival at Audi Field in Washington D.C. July 27, 2024 (Photo by Jarrett Lampley @wessywoo)

A glimpse into Broccoli City Festival 2024

Kaytranada performs at BroccolI City Festival at Audi Field in Washington D.C. July 28, 2024 (Photo by Jarrett Lampley @wessywoo)

A glimpse into Broccoli City Festival 2024

Rep. Jasmine Crockett (TX-30) speaks on stage during the Broccoli City Festival 2024 at Audi Field on July 27, 2024 in Washington, DC. (Photo by Brian Stukes/Getty Images for The Recording Academy)

A glimpse into Broccoli City Festival 2024

Issa Rae speaks on stage during the Broccoli City Festival 2024 at Audi Field on July 27, 2024 in Washington, DC. (Photo by Brian Stukes/Getty Images for The Recording Academy)

A glimpse into Broccoli City Festival 2024

A general view from the Broccoli City Festival 2024 at Audi Field on July 27, 2024 in Washington, DC. (Photo by Brian Stukes/Getty Images for The Recording Academy)

A glimpse into Broccoli City Festival 2024

Victoria Monét performs at BroccolI City Festival at Audi Field in Washington D.C. July 28, 2024 (Photo by Jarrett Lampley @wessywoo)

A glimpse into Broccoli City Festival 2024

Megan Thee Stallion performs onstage during the Broccoli City Festival 2024 at Audi Field on July 27, 2024 in Washington, DC. (Photo by Brian Stukes/Getty Images for The Recording Academy)

A glimpse into Broccoli City Festival 2024

Taner Adell performs on stage during the Broccoli City Festival 2024 at Audi Field on July 27, 2024 in Washington, DC. (Photo by Jarrett Lampley @wessywoo)

A glimpse into Broccoli City Festival 2024

Victoria Monét performs at BroccolI City Festival at Audi Field in Washington D.C. July 28, 2024 (Photo by Jarrett Lampley @wessywoo)

The goal is to keep going and growing. Ultimately, through the ethos of “community over competition,” McEachern hopes to see Broccoli City become an “incubator” for the next generation of young innovators. 

“I want to keep seeing young people grow,” he said. “I would love to take [the festival] to different cities, all that stuff, but I think my main thing is understanding that the Lord blessed Jermon and I, and Marcus and everybody else [on the Broccoli City team] to be somewhat of mentors for [Black communities and others]. I just want to be somewhat of a stepping stone [and inspiration] for young people.” 


Haniyah Philogene is a multimedia storyteller and Lifestyle writer for theGrio covering all things culture. With a passion for digital media, she goes above and beyond to find new ways to tell and share stories.

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Simone Biles Takes Gold in Women’s Gymnastics All-Around Final at Paris 2024, Securing Ninth Olympic Medal and Setting New American Record – Where Is The Buzz

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At 27, Simone Biles entered the 2024 Paris Olympics already established as the most decorated gymnast in history. Yet, with each performance, she continues to surpass expectations, further cementing her status as the greatest gymnast of all time.

Biles led the U.S. women’s gymnastics team to a gold medal in the team final, securing her eighth overall Olympic medal—the most ever won by an American gymnast. However, she didn’t stop there. On Thursday, Biles delivered a gold medal-winning performance in the all-around final, defeating Brazil’s Rebeca Andrade. This victory made her the oldest all-around Olympic champion since 1952.

This achievement places Biles among the elite in gymnastics history. She joined the ranks of Soviet Union’s Larisa Latynina and Czechoslovakia’s Vera Caslavska as the only female gymnast to win the all-around title twice. Notably, Biles is the first to achieve this feat eight years apart, having previously won all-around gold at the 2016 Rio Olympics.

The 2024 Paris Games mark Biles’ third Olympic appearance and her first since the Tokyo Olympics in 2021, where she withdrew from several events due to “the twisties.” Her resilience and return to form in Paris have been nothing short of remarkable.

Biles’ Paris 2024 Performance So Far:

  • Team Final: Biles led the U.S. team to gold, marking her fifth Olympic gold and eighth overall medal.



  • Women’s All-Around Final: Biles edged out Andrade for gold, becoming the oldest all-around Olympic champion since 1952 and the first to win multiple all-around titles eight years apart.

But Biles isn’t done yet. She has also qualified for the vault, balance beam, and floor exercise finals in Paris. Here’s her remaining schedule:

  • Vault Final: Saturday, Aug. 3, 10:20 a.m. ET



  • Biles aims to become the second woman to win the Olympic vault title twice, following Caslavska’s victories in 1964 and 1968.



  • Balance Beam Final: Monday, Aug. 5, 6:38 a.m. ET



  • Biles seeks her first gold on the balance beam, having previously won two bronze medals in 2016 and 2021.



  • Floor Final: Monday, Aug. 5, 8:23 a.m. ET



  • Biles looks to add another gold to her collection in the floor exercise, potentially joining Latynina, Hungary’s Ágnes Keleti, and the Soviet Union’s Nellie Kim as the only female gymnasts to win multiple Olympic golds in this event.

Simone Biles’ Career Olympic Medals:

  • Rio de Janeiro 2016:



  • Gold: Team



  • Gold: All-Around



  • Gold: Vault



  • Gold: Floor



  • Bronze: Balance Beam



  • Tokyo 2021:



  • Silver: Team



  • Bronze: Balance Beam



  • Paris 2024:



  • Gold: Team



  • Gold: All-Around

Simone Biles’ extraordinary achievements continue to redefine the sport of gymnastics. As she competes in her remaining events at the 2024 Paris Olympics, the world watches in awe, knowing that every performance adds another chapter to her unparalleled legacy.


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Flavor Flav and Alexis Ohanian Pay For Olympian’s Rent

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America’s favorite hype man is expanding his legacy to be more than just a hip-hop icon. Although Flavor Flav started his career as a core member of the rap group Public Enemy, the 65-year-old is using his powers and money for good, supporting all those that need the help.

Keith Robinson on His Netflix Comedy Special ‘Different Strokes’

Flav is making headlines again after a heartwarming exchange where he came to the rescue of an olympian expressing her financial struggles.

…And it’s not his first time coming to someone’s rescue.

Flav answering athlete Veronica Fraley’s call

Early Aug. 1, Vanderbilt University athlete Veronica Fraley, who will be competing in the Paris Olympics on Aug. 2, took to X to express her struggles to pay her rent. In a tweet, Fraley said “I compete in the Olympic Games TOMORROW and can’t even pay my rent.”

After writing that her university only sent her 75 percent of her total rent, Flav came to the rescue. In his reply to Fraley’s tweet, Flav wrote “I’ll send payment TODAY so you don’t have to worry bout it TOMORROW.”

It didn’t take long for Flav to reach out to the track and field athlete saying “Just DM’d you,,, I gotchu.” If that wasn’t wholesome enough, publicity from Flav’s reply also caught the attention of Reddit co-founder Alexis Ohanian, who pledged more than $7,000 to Fraley.

He helped put water polo on the map in the middle of the 2024 Olympic season

Flav’s efforts to support women in sports didn’t start with Fraley. Back in May, the rapper made what he called “a FLAVOR FLAV promise” after seeing that the U.S. olympic water polo team was struggling financially.

The team’s captain, Maggie Steffens, posted on Instagram calling on fans to help the team both financially and patriotically, and none other than Flav swooped in to answer her call.

The hype man wrote in reply “…as a girl dad and supporter of all women’s sports – imma personally sponsor you my girl,,, whatever you need.” Flav went on to add “And imma sponsor the whole team… imma use all my relationships and resources to help all y’all even more.”

Flav later signed a five-year deal with the U.S. women’s and men’s teams and even stole the spotlight after being seen in Paris in full water polo and Team USA gear. In a recent Instagram post, Flav flexed a custom clock made by Steffens’ late sister-in-law saying “imma be wearing a VERY SPECIAL second clock for the duration of the Olympics and beyond.”

That time Flav saved Red Lobster and all of the cheddar bay biscuits

Earlier this year, Flav made it clear no one loved Red Lobster more than him. When the hype man found out that Red Lobster filed for bankruptcy, he decided to do “anything and everything to help…and save the cheddar bay biscuits.”

Flav was a man of his word and sprinted to the closest Red Lobster to buy the entire menu…. yes the entire menu. In a tweet, Flav posed next to all the food he ordered and said he’s “doing his best” to show love to the company and of course, the cheddar bay biscuits!

His efforts didn’t go unnoticed either. Last month, the company announced “Flavor Flav’s Faves Signature Meal,” featuring some of the rapper’s favorites off the menu.

Flav selflessly tried to bail out Bobby Shmurda

Even in the midst of his own legal struggles, Flav reached out to New York City rapper Bobby Shmurda back in 2015 to attempt to pay for his bail. Shmurda was arrested on drug and gun charges, and he was held until his release in 2021, according to BET.

In an Instagram post, Flav said “Ayo, Shmurda. Flavor Flav. We coming to get you out, baby,” according to VIBE. Although Flav’s efforts were unsuccessful, this is proof of Flav’s dedication to give help to whoever needs it.



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